Saturday, December 1, 2012

Movie Review: Dungeons & Dragons: The Book of Vile Darkness (2012)

(Note: This movie is part of the Dungeons & Dragons Movie Series. For more movies, see the entries for the 2000 movie and its 2005 sequel).

I had no idea this was in the works, so I was pleasantly surprised when SyFy decided to premiere the movie on its channel.  It cased a buzz in my gaming circle, and I also wanted to watch it as well.  I eventually got to watch it, and it was worth my time, unlike some D&D movies.  The best part of this surprise was the subject matter of the movie: the Book of Vile Darkness.

To be fair, the movie is not about the singular artifact called the book of vile darkness--a tome suffused with so much evil from its human-skin book cover to the foul contents penned in blood that it makes whomever reads it turn evil--but about the quest to stop it from being recreated by a dark cult bent on having darkness rule the lands once again.  This monumental task is taken up by one paladin of Pelor named Grayson Azrael (Jack Derges).
When his paladin order, the Knights of the New Sun, is nearly wiped out save for himself and his captured father, Grayson must go undercover and join a group of evil adventurers:
  • Akordia (Eleanor Gecks), a female shadar-kai witch
  • Vimak (Habib Nasib Nader), a male goliath barbarian
  • Seith (Lex Daniel), a male human assassin
  • Bezz (Barry Aird), a male human vermin lord
THE PARTY ASSEMBLED (from l-r):
Vimak the barbarian, Seith the assassin,
Bezz the vermin lord, Akordia the witch,
and Sir Grayson the paladin. That is not a typo.
Sir Grayson braves the depths of depravity while holding up his morality, sleeping with an evil spellcaster (that means Akordia; he's doesn't go boning dudes to save the world), even slaying a red dragon in the process to get closer to the...I'm not sure if I can really say this..."mind flayer" Shathrax.  This strange creature is responsible for trying to recreate the book AND for capturing Grayson's father.  Grayson will travel very far to reach his goal, from his home kingdom all the way to the Elemental Plane of Air--or was it the Plane of Shadow?  I couldn't be sure, but wherever they were there wasn't a lot of ground to work with.  At the end of it all, this movie was a lot better than its predecessors despite being based on the rules for the 4th edition D&D.  I was riveted to my seat for a great deal of the movie, mainly because of the attention to detail about the technical game stuff.

(actual product, written for D&D 3.0 rules)
They got most of the races and monsters right--the fire archon, red dragon, and especially the slaymate (an undead creature from Libris Mortis).  I almost crawled over the back of my chair when I saw it in action.  The mind flayer was no mind flayer at all, but some guy with his mouth sewn shut.  The magic items used were pretty on the nose, like the javelin of lightning, and the collars of obedience combined with the belt of the emperor that Shathrax wore.  Vorpal blades, necklace of fireballs, bag of holding; you name it, it was in there.  The film even had a fun time with the spells, namely invisibility.  And I was amazed.

It can be said that anything worth doing takes time, practice, and a whole lot of stress.  In the case of Dungeons & Dragons: The Book of Vile Darkness, the 7 years between live-action projects was worth it.  I recommend this movie, not because it's all that good but because someone had the balls to make another one even after the first two films were critically panned in the theaters and the direct-to-video market.  I hope someone is as care-free to produce and direct the next D&D film, because I will watch it.  And I hope you will too.

RATING: 8/10

Monday, October 29, 2012

Movie Review - Ju Dou (1990)

My parents had cable off-and-on in my household.  At one point, the cable became too expensive, and we stopped.  We picked it up again after a while, and stopped again when the cable became too much. Now, with digital cable forcing everyone to pay for stuff they used to get for free, we have cable again.  With the glut of crap on specially generalized cable television (Toddlers & Tiaras, Crocosaurus, all the no-talent shows, occult-themed shows, police procedural shows, etc.), it will never be like it was.  
Back then, we didn't have to worry about having to subscribe to a specific channel to get out foreign movies: we simply were surprised.  It was like this in my high school years when I watched the movie that started my love for Asian cinema: Ju Dou.

Ju Dou was like nothing I had seen before in American film: the new land, the strange people and culture (granted, the only time I had dealt with Asian people and culture was either at a restaurant or a kung-fu movie), the language, and the colors. OH GOD THE COLORS.  The colors weren't part of some forced hallucination or a drug-related trip on my part.  It was simply the way that director Yimou Zhang was able to not only give the set designer and cinematographer the instructions to make the movie visually appealing, but the tension between the characters was believable and tangible.  It would set the rule for me in the future that whenever I watch an Asian film, check if Li Gong is in it first.

"Dear Penthouse Forum..."
The movie is set in early 20th Century China, when the life of Ju Dou (played by Li Gong) is disrupted by her marriage to Old Yang (actor Wei Li) who runs a dye mill.  He paid a handsome sum for such a beautiful bride, so she had better produce him an heir--which she cannot because the old man is sterile.  He treats her horribly in response (an understatement, to say the least) and has no idea that someone has else has had their eye on her, but can't act on it.
Tianqing (Baotian Li) is Old Yang's younger relative, who lives and works at the mill as Yang's ward.  He is also mistreated to a degree.  He takes pity on the woman who is now legally his aunt.  At first, their relationship is deeply appalling... but you come to understand that their common ground is their hatred of Old Yang.  He is wholly deserving of this hatred, which Ju Dou and Tianqing transform into lust and love.  Nature takes its course under the influence of human intervention, and the story seems as if it will develop into an ending scenario that will be considered acceptable.  That's when the film becomes an experience in truly deep heartbreak.  The dynamic changes so hard and fast, you can only stay riveted to your seat to see how it all turns out.

OH GOD THE COLORS, MAN
And so it went, my first foreign film viewing.  

This led to me watching not only foreign films with Li Gong in it (Curse of the Golden Flower, Raise the Red Lantern), but also other foreign fare (Luc Besson's ANGEL-A, Bernardo Bertolucci's The Last Emperor [yes, it counts], Karan Johar's Kuch Kuch Hota Hai, Juzo Itami's Tampopo), not to mention domestic productions with Asian themes (Memoirs of a Geisha, Snow Falling on Cedars).  I can say without any confusion that this is one of the best movies I have ever seen.  This is mostly due to my eyes being opened--not to the flare of an action movie's explosion, the shine of a silver sci-fi rocket or to the horrors of a slasher film--but to the greater expanse of world film and filmmakers outside of America and kung-fu movies.  To you and all those like you, director Zhang, I thank you.

Thursday, October 25, 2012

Movie Review: Tokyo Gore Police (2008)

I don't get to watch a lot of movies in the theaters (mainly because that sh*t is expensive, but you know that already), and when I do, I watch superhero movies with my friend Will and Dacarllo.  When I'm not with them, I use the Internet.  Now, I'm not out there torrenting like the rest of y'all.  I use other forms to get my movies--all of them legal.  Which brings me to my movie review subject: Tokyo Gore Police.

I watched it and I can truly say this movie lives up to its title, as all movies should.  The film (used loosely) is set in a futuristic Tokyo, some time after the Tokyo Metropolitan Police Department and the Japanese Self-Defense Forces have been privatized and merged into the former.  Apparently, all Japan is now Tokyo...or not, I am unsure.  Also new to the mix are "Engineers"--a new type of life-form that causes mayhem in the streets and turns ordinary criminals into super-powered villains.
Enter Ruka (played by Eihi Shina of Audition fame), an expert "Engineer Hunter" with the Tokyo Metro Police, who hunts using only a samurai sword.  True to Japanese fantasy tropes, she weighs 90 pounds soaking wet and no family lineage is tied to the weapon to explain its unnatural ability to remain undamaged throughout the film as she fights hulking monsters.  She does her best and is celebrated in the ranks of the police department...but off-duty, she is a sad young woman who laments the loss of her policeman father years ago and makes cuts on her left arm for catharsis.  Only with the arrival of a particular Engineer monster does the story begin to evolve from a simple hack-and-slash videogame parody into something resembling a murder mystery.

- ATOMIC BOMB REFERENCE LOL -
There are a lot of counter-culture elements, sexual elements, dark humor (i.e., cutesy wrist-cutting devices that "make the blood sweeter"), and alternative lifestyle choices on display, which pale in comparison to the main event the movie puts forth.  When a person talks about themselves as an expert and says that "[Insert field of expertise here] is my middle name", they want you to believe that they were born with an intense knowledge of the field.  The same holds true for Tokyo Gore Police.  GORE is its middle name.
There were a lot of moments when I had to stop watching--not because I was gonna throw up, but...  Y'know what?  I'm lying.  Lying, and lying so hard.  I was gonna throw up so many times while watching, because I had just eaten dinner and there was so much gore for the sake of it.  Characters who could have just hit their opponents in the head with a bottle and stopped there, chose to jam the broken bottle into their opponent's face and use it to cookie-cut the flesh and bone from his skull.  What does that do? He dead!
The worst part of the movie for me was when I was watching it, I began to get used to the simulated carnage--the watery blood, the churned-up whatever they were using to simulate destroyed flesh, the ever-increasing attempts at body horror, etc.  Each special effect kept taking me out of the story.  At the end of it all, I was more concerned with the story than the poor tries to keep my attention with special effects.

Normally, I give Japanese films a pass when their story surpasses their special effects (STACY, Mechanical Violator HAKAIDER), but this movie is on its way to becoming the next Death Trance.  What's Death Trance, you ask?  Exactly--you probably don't know.  That's how bad it sucked.  I truly wish more time was spent developing the characterizations of Ruka and the bar owner--ESPECIALLY the bar owner.  Instead, we have a fine revenge story and a great fantasy world that is undercut by its own special effects.  For shame, Japan. For shame.

Wednesday, October 17, 2012

24 Hour Comic Book Day - I'm Participating!

Hey everyone,

I'm participating in 24-Hour Comic Book Day at Tate's Comics in Oakland Park, FL.  I am #16, so wish me luck!

More information:
http://www.24hourcomicsday.com/

Saturday, September 22, 2012

Movie Review: Resident Evil: Retribution (2012)


Any alien armada watching out broadcasts or monitoring our data streams of pirated movies can see that Earth has a sure defense against them.  Not the armies, navies, air or special forces of respective countries would be able to stand against the might of an alien invasion.  Rest assured the aliens know our first, last, and only true line of defense: MILLA JOVOVICH.

Yes, the actress/activist/fashion designer/singer/mother/former Ukranian supermodel Milla Jovovich has been in more movies where she is the last best hope for mankind against normal and supra-normal (including extraterrestrial and supernatural) threats (see The Fifth Element) and capable of handling acrobatic feats with ease (The Three Musketeers [2011]).  These skills are heavily in play in the movie series that placed her name on the minds of movie producers: the Resident Evil franchise.
In the review for the House of the Dead movie, I brought up Ms. Jovovich and her baby-daddy Paul W.S. Anderson--the man responsible for the movie translation about the CAPCOM survival horror videogame.  I bring her up again because this review for Resident Evil: Retribution before you is also a plea to Ms. Jovovich:  

PLEASE END THE RESIDENT EVIL FRANCHISE WITH THE NEXT INSTALLMENT, BECAUSE IT'S WORN OUT ITS WELCOME.

whileIstoptheinvadingarmy--POSE...
The Resident Evil franchise was fun when everybody was making video game movies, bringing our video game fantasies to life with actors we tolerate in the roles we've already cast in our heads (more often than not, with conflict).  With a movie-only character like Alice, we'd be interested to see what kinda hijinks she could get into and out of.  She's been through Raccoon City twice, the desert, Los Angeles, Alaska, and now every major world city.

The secondary heroes in this movie are veterans from the video game series: Barry Burton, Leon Kennedy and Ada Wong.  You find out most of the world which we've seen in previous installments has been a lie on a grand scale, rendering many of the movie's off-the-wall ideas quite sensible.  It's as if the world has turned upside down to accommodate the twists & turns of the Resident Evil franchise...almost as if this entire series was written out before the first or second film hit theaters.  If that's the case, kudos to the writers for such an amazing effort.  Unfortunately, there seems to be a few reused ideas in this movie from previous Milla Jovovich movies in the series that could be done away with in my opinion.

Time for a "naked break" from POSING...
1. Naked Milla Jovovich
I'm a dude; I like the ladies and what they are capable of doing.  It's a great thing to see an empowered woman do her thing.  It was a great thing in The Fifth Element and the first Resident Evil movie to see Ms. Jovovich in a state of vulnerability, represented by different levels of injury, nudity, and confusion/disorientation, because it allowed her to transform her earlier states into a form of RAAAAAAAGE.  She then pushes out of that cocoon as a "bullet with butterfly wings" and takes out what forms of oppression and evil that lay beyond the walls of her prison.  It's as if every scene like that is supposed to be a rape victim getting her shit together and striking out at their attacker.  These can be very powerful scenes to witness, like Uma Thurman's performance in Kill Bill: Vol. I, but when overused it dulls the meaning of the scene as it happens a SECOND time in the latest entry
Due to the number of times this happens in the Milla Jovovich catalog, I'm gonna take a wild guess and say that her days of being wrapped in funky clothes are behind her and she'd like to be able to act without any identifying markers: no clothes, no items, no fancy makeup, just her and her acting ability.  Nakedness comes in many forms, from full frontal to a nondescript set of clothes.  The next idea trashes most of that guess.

afterIslayabunchazombies--POSE...
2. Milla Jovovich in Clothes
While it can be assumed Ms. Jovovich has creative control over her wardrobe, she normally  chooses clothes that could be considered comfortable, functional, or feasible.  It can be assumed in the first movie in the series (back when we could only see Michelle Rodriguez as the tough Latina chick) that she was caught unawares when she was wearing the red dress outfit.  Over the course of the storylines she's gone from comfortable warrior to bondage queen.  This is not an overnight change: she didn't wear corsets until the fourth film and the latex costumes in the fourth and fifth movies seems to be the new norm. I guess they're trying to hide or incorporate the harnesses from the wire-fu shots, but c'mon.  Her wardrobe has some unintended consequences of influencing and highlighting Ms. Jovovich's acting style.

3. POSING
Ms. Jovovich's supermodel background has lent itself to the fine woman we see today.  The clothes she wore then probably were uncomfortable to wear, as they were designed for looks not comfort.  I keep mentioning comfort because if I were fighting zombies, I wouldn't wear a costume that could limit my range of movement.  As such, a fashion designer's runway collection and the PVC/platform boots costume from Retribution lead to many instances of posing--a stiff positioning of limbs for emotional evocation.  But hold the phone: she does this in her other, more comfortable outfit (the one where she uses a sawed-off shotgun filled with coins) and in her state of vulnerability/nudity.  In clothes, she stands legs apart and fires two guns while her waist is twisted slightly, making her look more powerful.  Without clothes (or just wearing some form of hospital shift that shows side- or under-boob), she is folded in a fetal position and/or low to the ground.  The implementation of these forms comes off as inorganic and they detract from the storytelling in this movie--what story there was to tell.

Enough about that, let's talk about the movie itself.
The movie tends to lean back into its video game roots, treating every challenge to be overcome as a level in a game.  This has the tendency to pop up in lazy screenwriting.  It did have its good moments, especially in subverting an age-old beef I have with the movie industry.  That makes up for a lot, but not much.

I would really like to hear more about Ms. Jovovich's musical career ("Gentlemen Who Fell" is still on my iTunes) or any other movie she's done.  If she has to make another movie about the Umbrella Corporation's crimes against humanity, then let it be the last Resident Evil movie in the series.

And the word the poster up top should replace the word "ultimate" with "pentultimate". It means "next to last", as in "you all need to end this movie series with the next film."  Please.

Cordoba Chronicles IV: Chapter 12

EPILOGUE

The 16th day of Rzandol, Axian Year 7803


The world is now a completely different place.


My master has seen fit to give me another chance to perform in the world of the Living. In its infinite mercy, I was pulled from the sublime embrace of Death by its hand and given many new powers. What would surely end the lives of others is now a mere nuisance to me. While I was given these grand gifts, I still had to pull myself from beneath a boulder.
Upon freeing myself, I saw what was a factor in my initial death. A Halfling male, aged 38, lay prone and broken at my feet in the ruined temple I created for my master. I looked about the broken walls and the ruins of my home above and thought that I should feel some feeling, yet I did not. Was this yet another gift from my master: the ability to know, but not be taken over by emotion?
True to the will of the Benefactor, I was indifferent at the knowledge that I escaped death at the hands of a sworn protector of a misguided male notion of what is “good” yet again. Males: always a thorn in the side of justice and what is truly right in the world. The claims of right and wrong issued from their mouths are but a hollow gesture to the women who have paid with their lives and their freedom in the wake of their wars. The only way, some males may say, to achieve peace. After many years of contemplation and experimentation, I have found another way.
It is my discovery that frightens the established world of thought, as have the necromancers who have preceded me on this material plane. The idea of order and balance in the world of mankind is aberrant to the minds of most males and their wiling whores. They see the actions of my like-minded practitioners as evil for evil’s sake. Nay, my work is not evil, but it fails to meet the ‘holy’ approval of the janissaries of the false gods. That is enough to knock the feather from their caps and label my work as they see fit.
Would they deign to know about this work and its practitioners, they would know that it is we—the mortal masters of the undead—that achieve what they can only promise in theory: peace and everlasting life. It is a form of mercy unknown to the false gods and their followers. The world has chosen not to follow the path of what is good and holy, relegating it to the back room as if it were a secret shame.


In response to the faint glow of my Adventurer’s Guild medallion, I believe that I should resume my duties as an Adventurer—nay, a Crusader, for I seek adventure no longer. I now seek to implement a solution long overdue.
It seems that my master has agreed with my decision, for it has showered me with all the tools I would need to complete my mission. Old texts and manuscripts, and even older artifacts have fallen through the gaps of the rubble and stone above my head. They are all useful components for my future campaign, my maps of Kinjeti in particular. Their proximity to the fallen Halfling’s helmet reminded me of a place I had not been to in some time.
The Collection Room had not changed since I last crossed the dimensional door from my basement (when it was still a basement) into the pristine white marble walls and myriad trophies. I passed by the shield of Bors the cleric and the last three daggers still locked in the bandolier of Va-shi the elven battle-mage, to an empty manikin head. I placed the helmet of the fallen Halfling paladin onto the manikin head, recalling the male’s name and writing it on the plaque below: Cyan.
As I left the dimensional door, the night’s gloom was of no comfort to me as it once provided. I looked above and saw Rzandol shining down. I climbed out of the chasm that was my home and laboratory and stood upon a sturdy part of my collapsed roof. The light of the moon flashed blue on my pale skin…and it reminded me of young Inia.
I had many applications for the positive results with my experiment in ectoplasmic and incorporeal manipulation and the resultant proof of my hypothesis that an incorporeal being, such as a ghost, can be returned to the world of the Living through spells. The details of my initial experiment with Inia’s immortal soul are detailed in an earlier log, but this latest development could only be a side effect of the resultant simulated aging and brain development of the average teenager. Falling in love, rebelliousness and general ignorance of the world around her was a sure sign that my experiment with Inia was far too successful.
There were to be no interferences in her life and my control of it, but an unanticipated variable entered into the equation that was my calculated experiment.
I’ll be damned if it wasn’t a male.


As my young subject goes off to the west, I can only look on through the cloud of iridescent green  dust for I must not fail my master a second time with the foibles of mortality, such as impulse. I will plot. I will plan. When my machinations are beyond the restrictions of any possible failure, when my grand army of the undead is a mighty force I will strike at the world and charge roughshod over the kingdoms and potentates of mankind. Then the world will join me in peace.


Whether they want to or not.

-Blackheart the Destroyer

Friday, September 7, 2012

Movie Review: Prometheus (2012)

Ridley Scott's ALIEN films have been a grand source of entertainment for me, exposing me to the interesting works of Swiss artist H.R. Giger.  It was his art that inspired the shape of the Xenomorph, the primary antagonist of the ALIEN franchise.  Science fiction writer Dan O'Bannon provided the screenplay, allowing for the atmosphere and many of the thrills, mystery and suspense of the film.  Later writers (namely the franchise's proper writers David Giller and Walter Hill) and directors (The Avengers' Joss Whedon, Titanic's James Cameron) left their mark on the franchise, with a mixed bag of results.  Mr. Scott's latest outing with the ALIEN franchise, Prometheus touches on the background story of a very important but little-explored race of extraterrestrials who are intertwined with the Xenomorph: their indirect creators.

These indirect creators are referred to as "Engineers" by Drs. Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green), archaeologists that find connections between several ancient cultures on Earth that all point to a grouping of stars in the heavens.  They have interpreted it to be the location of the homeworld of mankind's creators--their Engineers.  They soon pack their bags and join a crew for an interstellar flight on the starship "Prometheus" to the location indicated, funded by Weyland Industries (precursor to Weyland-Yutani Industries in the later ALIEN films) under the instruction of the hologram of the late Charles Weyland (Guy Pierce) and mission director Meridith Vickers (Charlize Theron).  They find a planet with a moon, marked as LV-223, in 2096 and land to investigate the strange structures found on long-range scans.  Their findings reveal that the structures are ancient and abandoned alien spacecraft, and that something that left behind a litter of alien humanoid corpses and several cylinders filled with an animate black liquid.  A sensible group of people would simply walk away and fly back home, but David (Michael Fassbender)--an android--has been secretly tasked to retrieve samples or a live specimen.  In his attempts to achieve his goals, hijinks ensue.

Strangers in the niiiight...exchanging glances....
It's safe to say that Mr. Fassbender steals the show even in light of Idris Elba's performance as Janek, captain of the "Prometheus".  Much of that has to do with the marketing campaign for the movie, which featured a character profile on the android.  It showed how complex of a creation he was, from interpreting different genres of art to complex mathematical and spatial computations.  When it came to concepts that would generally make a person sad (i.e., murder), David offered tears of sadness; when it came to accomplishing a task that his human counterparts would find unethical (ex.: violating a person's physical being in some manner) to achieve a goal, David stated that he would not have a problem doing such things.  These two examples of an incongruous and conflicting thought process along with a face devoid of emotion really sold the idea of Mr. Fassbender's android character.  Not bad for an 8th-generation Weyland Industries android fresh out of the box.

The film was sufficiently suspenseful, and entertaining as an exercise of human frailty and folly when faced with one of the most dangerous things in the cosmos: desire.

Thursday, August 30, 2012

Cordoba Chronicles I: Book 1 on Wordpress

I'll be posting my comic Cordoba Chronicles I on my Wordpress account:
http://sgwatson.wordpress.com/

The first book is up.  A direct link to each page in Book 1:
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-cover/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-1/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-2/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-3/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-4/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-5/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-6/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-7/
http://sgwatson.wordpress.com/2012/08/31/cordoba-chronicles-i-book-1-page-8/

Hope you like the story,
-swatson

Cordoba Chronicles I: A Forward

This bit is to let you all know that the novella "Cordoba Chronicles IV: the Necromancer's Fury" was not written in a vacuum, and not without prior setup.

I created the fantasy world of Cordoba from 1994 to 1997 while attending high school at Design and Architecture Senior High, a magnet art school in Miami, FL.  It was in response to a lack of cool fantasy stories accessible to the mainstream audience.  I made a point to make something I wanted to see, and I figured that the big thing missing from the stories I liked and knew were the fact that there were no popular leading Black or dark-skinned characters.  They had popular Black supporting characters (sidekicks, rivals, mentors, love interests, etc.) but none that the average viewer would want to emulate, due to the lack of a leading role. These Black characters are not the center of a universe, and no story is told or experienced through their eyes. I decided to change that.

The story has a great number of influences. Cartoons, comics, science fiction, video games and action films were a big portion of my life prior to writing the Cordoba Chronicles, so a great deal of influence comes from them.

The short list reads like this:
  • The graphic novels TITANS: Scissors, Paper, Stone, Ninja High School and Teenage Mutant Ninja Turtles - Book II
  • the DC comic book Legionnaires (formerly Legion of Superheroes, rebooted after Zero Hour in 1994)
  • CAPCOM's "Mega Man 2" and "Street Fighter 2010: the Final Fight"
  • "Black Magic: M-66", "Bubblegum Crisis", "Appleseed", "AKIRA", and other Japanese animation films
  • the American cartoons "Galaxy High School", "Beverly Hills Teens", "Jem", "Centurions: Power X-Treme", "Thundercats", Silverhawks", "Tigersharks", "He-Man and the Masters of the Universe", "Bravestarr", "Bionic Six", "Shirt Tales", "Dinosaucers", "The Adventures of the Galaxy Rangers",
  • the British cartoon "DangerMouse",
  • the French cartoons "Spartakus and the Sun Beneath the Sea" (AKA "Les Mondes Engloutis") and "Ulysses 31"
  • Live action shows like "Ultraman", "Captain Power and the Soldiers of the Future", and of course "Mighty Morphin' Power Rangers"
  • the Universal Pictures' "Action Pack" movie "Hercules and the Circle of Fire" starring Kevin Sorbo and the follow-up TV series "Hercules: the Legendary Journeys"
  • the "Star Trek" TV series (TOS, TNG, DS9 and Voyager) and the original "Star Wars" trilogy (A New Hope, The Empire Strikes Back, Return of the Jedi)
  • the movie "Conan the Destroyer"
  • the 1980 movie "Flash Gordon"
  • the movie "Passenger 57"
  • the Japanese animation imports "Voltron: Defender of the Universe", "Transformers", "Robotech", "Saber Rider and the Star Sheriffs", and "Mysterious Cities of Gold"
It goes without saying that I have a long-standing flirtation with Dungeons & Dragons (both the game and the cartoon), regardless of what people say.  I think I've said enough; I hope you enjoy Cordoba Chronicles I. Enjoy!

-swatson


Cordoba Chronicles IV: Chapter 11

The arcane language spilled from Blackheart's mouth as she spoke the uncanny phrases in a guttural tongue to start the summoning spell. The words of magic completed a spell that forced the drained blood of the corpses in the next room to pool in a reservoir below the altar and rise into the piping that ended in the basin hollowed out in the top of the altar. The crimson claret coalesced in the stone sink, and the necromancer smiled. She craned her head back and looked into the moonlight of Rzandol, shining into her black eyes and the blood-filled basin from the faux well overhead to hear the sounds of her reckoning coming to bear.

She has done exactly as her master had commanded: sacrificed a great many on the eve of the rise of Rzandol and dedicate all their blood to her master, for it was trapped. Stuck in an ethereal prison and only able to act through associates like herself, Blackheart met her master when she was at her worst. Now, she felt it necessary to repay the gift given to her by a powerful creature from beyond that saw fit to save her life, by any means possible. The idea of such an act of justice as an appetizer to an even greater justice that would soon come, levied against the mortal world of Cordoba, made the necromancer feel as if she was in tune with the very earth itself.

The dark mage reveled in the sounds of the earth around her head as she heard the worms burrow and the roots of trees spread themselves through the ground. She could hear the dead stirring in their graves, scratching and pounding against coffins in a rhythm Blackheart found musical. The thought of even more of the walking dead at her disposal, in addition to the several ghouls that sat before her in the temple pews, was enough to make the dark necromancer's smile stretch from ear to ear as she continued to chant.

Suddenly, a shout from the upper levels of the basement broke her concentration, disturbing the chant that would deliver her master from his prison to this world. Blackheart cursed her intruders for their poor timing and stepped away from the altar. She almost tripped over the prone Inia? body as she walked out into the central aisle of the temple and stared at the front doors to the next room, where the bodies hung and bled. She looked to a couple of ghouls and said, "We have a visitor."

The necromancer didn't bother to guess who her intruder was as she looked back at the unconscious form of her niece.

Rashad.
That damned male has come back to soil my home a third time, the necromancer thought. He's escaped that incompetent Doyle and now he thinks he?l defeat me. The little black bastard thinks he can just walk in here, do what he wants and take my niece away to be some breeder? Aside from the truth, she said to herself, that male will be in for one hell of a surprise.

Turning away from the door, Blackheart felt her old Adventurer's Guild medallion shift in her bosom. Touching it through her clothes, she continued her stride to the altar and took her place at the altar and continued to chant. As she chanted, voices could be heard floating in from the useless windows to the abattoir. It seems that the little male has brought friends, the necromancer mused. Her black eyes glinted with amusement as she chanted, making sure to position herself under the moonlight as she did before. As she expected, the group of intruders made their grand entrance into the temple. Blackheart had not seen many of these people before, but some she knew and one of them she knew very well.

The first of the intruders came dressed in blue armor; she could tell that from the reflections of the moon's light bouncing from the floorboards. The necromancer had not met him, but she did know his symbol: the brotherhood of Brash. Blackheart had tangled with only one Brash acolyte prior, and she wasn't satisfied. Two Enigmen--a female cat and a giant crab of some sort--stood with the armored warrior. Four humans walked through the doors. Two were dark-skinned and males, like the fool Rashad who walked with them, but of the two only one was a mage. By the look of his aura she could tell he was an ice-mage of some power, but not enough to sway her will or her master's will.

The last human was a slim woman with long black hair, carrying a satchel. A quick glance showed that the girl had no real skills to speak of, and would be no threat. Her eyes scanned over the last member of the crew--an elf, she could see by the ears--bore a strange resemblance…

Moira, the seamstress, had come to reclaim what was once hers. But from the elf's excessive cowering, it looked like the spell she put on her was still in place. The elf had cost her so much in the past, nothing would be able to negate the spell. So why was Moira here? Blackheart pushed the question out of her head and decided that the elven seamstress would die first, but changed her decision when the blue-armored warrior sealed his fate as the first to fall: he opened his mouth and spoke.

"In the name of Brash, I am sworn to strike down evil wherever it may lay! Beware, Blackheart the necromancer, for you now face Cyan--warrior of the Brotherhood!"

Only slightly aware of what he would face on the inside of the temple walls, the halfling went full tilt into his lines, remembering the honor of the Brotherhood and forgetting the full situation. While sent here on his own to deal with a claim of ghouls in the town of Karmor's Bend, many friends have joined him in his mission. No one in their party, not even the ice mage, was prepared for the scene set before them.


The temple, cold and lit only by the moonlight falling from the well above the necromancer's head, was a mockery of the temples built to Toren the Assistant and his Master Hamar. Instead of the Tetra-Sphere that would adorn the walls, that same diagram of the eye reaching skyward with tentacles took its place. The walls, adorned with tapestries bearing the tentacled eye, were carved from the surrounding stone and supported by smoothed columns. The ceiling of the temple stretched over their heads and curved upwards into the base of the fake well. Past that, a smooth wall with an arcane diagram in the shape of a circle stood out in relief with the moonlit form of Blackheart the Benefactor juxtaposed in the foreground.

The necromancer's eyes flashed in the moonlight as she looked down on the ghouls in the pews. The stinking corpses moved in response to her gaze and rose from their seats to attack the group of intruders. Charging into the pew, the first ghoul met his second death at the end of the Rock Sword. More ghouls came onward, and they were dispatched by Cyan's dancing sword. Kitty and Barcrab joined in the fray, actively going after ghouls and fighting them claw, tooth and nail. The two Enigmen barreled through the rotting wooden pews, taking whatever pieces of broken wood they could and using them for weapons. Shuya, Wyle, Donovan and Moira stayed by the door and fought off any ghouls they could, using the fire poker, Donovan's ice axe and Shuya's potions. As Shuya's potions lit up the floor around them and cast a bright blue light in the temple, Donovan's eye caught a glimpse of the circle behind the chanting Blackheart.

He had seen that circle somewhere before in a manual at the Academy, in a book on summoning, but what would a necromancer want to summon? Regardless of what the dark mage wanted to summon, he would have to stop her. "Cyan! Rashad! She's trying to summon something! See if you can stop her!"

The two nodded and cut a swath to the altar. After wading through the ichor and rotting body parts, the Halfling and human raised their weapons to strike Blackheart down. Their blades struck her arms, but were deflected by some sort of magic. Using the advantage, Blackheart thrust her arms out and the two men went flying to the floor. As they picked them selves up, Rashad noticed a curly mop of hair sticking out from behind the altar. He looked up at the necromancer with a grimace of anger and shouted to Donovan, "Inia's here! You have to stop her!"

In response, Donovan pulled a potion from Shuya's satchel and encased it in ice. He launched it at the chanting woman, hoping she would not be able to stop the projectile. Blackheart was involved with the chant, and she was struck full in the face and staggered back as the ice shattered across her nose. The necromancer rose, her face covered in the brown liquid of the potion hidden in the ice ball. She wiped her face off and looked at her hands as they burned a light blue flame from her fingertips and palms. The dark mage looked at the intruders with her black, almond-shaped eyes and continued chanting to release the ethereal bonds of her master.

She was not able to complete her chant, for a significantly large piece of broken pew came flying at her, forcing her to hurl herself away from the altar and Inia. Blackheart landed hard against the stone floor, shielding herself from the shower of wood splinters. As the necromancer began to right herself, Barcrab shouted, "RASHAD! GET INIA!!"

Snapping up and rushing to the altar, Rashad knelt by the unconscious Inia and grabbed her by the arm. He dragged her to safety, just as Blackheart lunged at the two with her silver dagger. The blade missed them both by inches, and the dark mage screamed her rage. She prepared to cast a spell, but Cyan charged and slammed into her back. As she landed on the ground, she spun and blasted the Halfling with a burst of green energy, sending him flying towards Kitty. The Enigman cat-woman was ready and caught the armored Cyan before he hit the ground completely. "No worries; I've got you," she said.

"Thanks, Kitty," Cyan said. "Are you all right?"

"Yes; more importantly, are you alright?"

"Whatever that monster's hit me with, it's made me tired." Turning to the others, he said, "We gotta stop her…no matter what."

Blackheart heard that and started to chant again. Donovan heard her chant and cast a spell that froze the pipes of the sink inside the altar. The pipes burst, cracking through the stone and toppling the altar over. The necromancer could only look on in annoyance as the intruders congratulated themselves.

Suddenly, the sound of a clearing throat echoed through the temple. "You peons have come this far to have an audience with me," the emotionally charged Blackheart spoke. "You've fought my undead minions and interfered in my current plans."

She stared at the slowly waking Inia as she continued, "You've tampered with my life's work, and there's no shortage of pain I could inflict on you all for such transgressions. Yet I believe that you all would not have done these things if there were not a reason…even in your limited scope of 'reason'."

"I want revenge!" Shuya shouted across the temple. "You killed my father, mother and brother! Your hands are stained with their blood."

"I'm sworn to staunch the flow of evil in these lands, and your time is over, Madam Blackheart!" Cyan brought his sword to bear and said, "By the will of Brash!"

"You've cost me my job," Rashad said as he held Inia, "and the lives of others have been changed or ended because of your actions! I've dealt with your kind before: mages and the powerful that thought they were beyond the reach of Good. You think you're all that matters, that everyone should follow your path or die. I am here to tell you you're wrong--dead wrong--and you will pay for your crimes against the world."

The necromancer looked over the battle-ready group, as they breathed heavily from the evening's fight. Covered in the blood of the fallen ghouls, they all meant business and brought their weapons up. Blackheart looked at the poor fools…and began to laugh. The anger that washed over her from the aspiring heroes made Blackheart smile from ear to ear. The necromancer said as she clapped her hands, "Oh, such rousing speeches, all of you. I'd spare you all for such performances, if mercy was in my nature. You must excuse my amusement; I've heard those words far too many times."

The necromancer continued with a sly grin, "Your family meant nothing to me. They were merely a sacrifice to my master. All of Sumptor, and I gave it to my Benefactor.

"As for your 'sworn quest' against evil, you backwater hirsute," the necromancer leveled at Cyan, "you need look no further. I doubt you'll be able to defeat me, because I eat misguided male "heroes" like you for lunch." Her eyes narrowed to slits as she said, "You will fail."

Turning to Rashad, Blackheart said, "And as for you, you wanna-be adventurer, you dare walk into the mouth of danger a third time? For the hand of my niece, you certainly went the distance. It was all for nothing, for you would fail, just like your hairball friend here."

"Hey I resent that!" Kitty piped up.

"Not you," Rashad spoke through gritted teeth.

"Oh."

"I don't like you. You've lied to my niece Inia and to my face! I'll not stand by as my niece becomes a breeder for some male who lies about his achievements. Adventurer's Guild, indeed; your medallion isn't real!" The Benefactor continued, "You're nothing but a one-shoe hustler!"

"By Toren, I am an Adventurer!"Rashad shouted. "The Guild has changed! I was there myself when it changed recently. Why don't you believe me? Is it because you hate me for being with Inia?"

"YOU ARE A MALE! ALL MALES LIE AND I HATE ALL OF YOU FOR THAT!" Blackheart's shout echoed on the walls. "YOU WILL NOT TAKE MY LIFE'S WORK FROM ME TO SOW YOUR FOUL SEED, FOR I AM THE DESTROYER OF ALL MEN! I WILL--"

"Auntie!"

Blackheart stopped her rant and looked down on the face of her niece. The tanned teenager's skin shone in the moonlight, her cheeks streaming with tears. "Is this how you truly are? Why?"

"It's lying males like this dark-skinned dunderhead that hurt me in my younger days."

Inia returned, "But you don't have to do this because some guy broke your heart--"

"BROKE MY HEART?!?!" The necromancer's face flushed and turned a bright purple in the moonlight as she said through gritted teeth, "Is that what they're calling it now? Is that what you've learned from the world of males? That rape--my rape--was nothing more than a matter of the heart?!

"You foolish little twit! After all the time I spent on you," Blackheart said with a cracking voice, "you turn into a blithering trollop who can't tell when a male wants you. You don't need that male."

"Auntie," Inia said, "I know. I want Rashad. It's you I don't need."

What, Blackheart heard echo through her head.

Inia continued, saying, "I'm a big girl now, Auntie. I have to go and do what I can to make it in the world. I'm a grown woman. I can't live under your wing forever; I want to see the world and its entire people--all of the MEN and WOMEN and the world they live in. The world I was meant to live in."

The rage on Blackheart's face was barely hidden. She dipped her head and closed her eyes. Bringing her face back to see her intruders, it was completely clear of all anger as she sucked in a cool breath and said, "I can see that trying to coax you from the side of your male is quite difficult, and will take more time than I am willing to invest. It's time I owned up to the fact that my experiment was a failure."

"E-experiment?" Inia stuttered. "W-what do you mean?"

Rashad took the young woman's hand and said, "C'mon, you don't need to listen to this madwoman rant any longer. You're with me now."

Rashad took her to Shuya and the others and said, "Watch out for her, this'll be a nasty fight."

As Shuya nodded, Blackheart looked at Donovan and said, "It's only natural I terminate my unsuccessful experiments. You understand, don't you?"

A bolt of black lightning shot from her hand and flew towards Inia as she stood in shock. Rashad threw himself in front of the blast, taking it full in the chest. He flopped to the ground and lay still. Inia leapt on top of him, shaking him and screaming, "NO!!!"


"HA! RIGHT ON CUE!" Blackheart laughed a maniacal laugh and said, "EVERY HERO IS THE SAME! YOU ALL GIVE YOUR LIVES FOR NOTHING! I'VE TAKEN THE LIVES OF MANY HEROES OVER THE YEARS…AND NOW YOU ALL SHALL SHARE THE SAME FATE!"

Cordoba Chronicles IV: Chapter 10


The boots felt a bit tighter than usual this time around as Cyan pulled them on. He felt a strong sense of determination and conviction as he slapped the steel greaves over his boots, tightening the bands to hold them in place. With his gauntlets in place over the sleeves of his hooded hauberk, the Halfling called out to the main room in Shuya’s house, “Can I get some help in here?”

Beyond the door of Shuya’s bedroom, Donovan, Wyle and Shuya stood in the kitchen making potions to combat the undead. Kitty, Rashad and Barcrab were watching the windows, waiting for some kind of response from the ghouls who had surrounded the house at sunset and now marched around an ice crystal barrier. Moira was slumped in the chair closest to the fireplace, holding her knees against her chest and rocking back and forth. Her whimpering seemed to keep pace with the tempo of her movement, making the rocking movements that more unnerving.

“Might I get some help please?” Cyan yelled again. “I can’t get this damned breastplate on by myself!”

Kitty looked up from her position and yelled, “Coming!” The Enigman cat-woman plucked herself from the floor and peeked over the doorjamb. “What’s up? 

“Please, help me get my breastplate on.” Cyan motioned to the hunk of metal sitting off to the side of Shuya’s bed. She picked up the plate by the armpits and carried it to Cyan, who sat down on the edge of the bed. He looked up at her and said, “I mean, I need someone to put it on for me. Do you mind?”

“No, I don’t.” Kitty climbed onto the bed and hobbled over to Cyan’s back on her knees. She lifted the breastplate over the Halfling’s head and fitted it to his body. Tying the straps wasn’t a problem, so she did that too. The flirty feline reached under the gorget and stroked Cyan’s neck saying, “All set.”

“Yeah, thanks,” Cyan said as he felt the soft fur against his stubbly neck. “You know, you tied my armor as if you knew what you were doing. Where’d you learn to suit armor like that?”

“I know a lot of things,” Kitty purred. “I had a life before dancing at the Egress Bar.”

Cyan nodded and said, “Pass the shoulder pads.” The cat-woman leaned over to where the shoulder pads lay and pulled them to her. She put them to Cyan’s shoulders and anchored them to the breastplate. Satisfied with her work, Cyan stood up.

The halfling Cyan practiced his balance in the standard issue armor for a warrior of the Brotherhood of Brash. The breastplate armor bore an embossed symbol of Brash, a trio of down-pointing swords crossing before a bright sun. The thigh armor attached to Cyan’s equipment belt made for a natural weight against his body. He knelt at the bottom of the bed and reached underneath it, pulling out his sword and his helmet. The sword, a sharpened and stained affair at its blade, shone in the candlelight of the next room as the Halfling drew it from his scabbard and replaced it. The helmet was curved and plated, sweeping upward into a metal frill from its forehead and trailing off into a tail at the nape. Both items bore the symbol of Brash as well.

Cyan turned to Kitty and said, “Listen. If the plan doesn’t go as well as it should, I want you to have this.” He reached down into his hauberk and pulled out a slim necklace. It was a small ivory stone on a silver length of chain. He handed it to the Enigman cat-woman and said, “If I fall, bring this to the headquarters of the Brash Brotherhood in Fort Swordhome, in the west.” The Halfling could see the fear in Kitty’s yellow eyes and comforted her with, “I admire a woman with skill such as yours. When this ends, I think we need to discuss our future together.”

“No need to wait on that, Cyan. We can discuss our future relationship…” Kitty said as she held his hand with padded hands and a serious look in her eye, “…right now.”

Just as they gazed into each other’s eyes for a moment, the mood was broken by Wyle’s intrusion. “Hey, we’re almost done with the––“

Both Cyan and Kitty turned to the carpenter. Annoyed, Cyan said, “Go on…”

Blushing a bit, Wyle continued, “We’re almost done with the potions. Are you ready?”

Before the Halfling could answer, Kitty leaned into him and playfully said, “Seems ready to me…”

“Stop that.” Cyan ripped himself away from the furry arms of the Enigman dancer and strode out to the main room of Shuya’s home. He looked around at the state of his allies and friends. Most of them had no weapons, armor or combat training. They looked worn out from the day’s events. It’s not every day that the undead march on your town, but these people have acted admirably under stress and the threat of a living death. The bravery of all these people, especially Shuya, would be commended upon reaching Swordhome.

He looked over to the kitchen and watched Shuya work alongside the ice-mage Donovan as she made the potions. This young woman had fought a minion of the undead and lived to not only tell her story, but to fight them in the corners of her own town. As Cyan admired the strength of the woman behind the counter, she put the last of the potions in a satchel and said, “Finally, we’re done.”

“Good. Everybody ready?” Cyan asked as he put on his helmet.

Rashad got up from his position and said, “No, we’re not ready. Excluding you, only Donovan and I have weapons, but no armor. How are the others supposed to fight those ghouls out there? Punch them really hard and hope they stay down?”

“You forget we have the potion to kill those ghouls…”

Rashad struck him with a look of surprise and said, “You want me to catch fire drinking that stuff? You must be crazy.”

“Cyan’s right, you know.” Shuya walked over with the satchel of potions and held one out to Rashad. “The main component in this potion is wine. We can drink this potion and the potion should act as a counteragent against any ghoul bites we may receive,” she said as she passed around the potions. “Since we don’t have enough armor to go around, we’re all gonna get bitten at least once.”

Still unsteady, Rashad asked, “Are you SURE this is gonna work, Shuya?”

“No, but since we’re all living beings and don’t have many choices in the actions we must take to survive, we’ll be better off. Trust me,” she said with a wink, “I’m a bartender.”

Drowning out Rashad’s protest, Donovan piped up, “I propose a toast: to the fall of Blackheart and the fall of dark magic! CHROVA!

CHROVA,” the survivors returned and downed their potions. Rashad was the last to do so as he watched the others drain their draft and flash a light blue aura before returning to normal. He tossed the potion down his gullet and felt the warmth of the potion work its way into his belly, then saw his vision go blue for only a moment and return to normal.

Slapping Moira on the shoulder, Cyan said, “I don’t know what that foreman Jollum was talking about Blackheart having you, but it wasn’t about undeath. You’re clean and ready.” He found his cloak and hood and placed it over the frightened elf woman. “You ready, Moira?”

She nodded and the Halfling said to the others, “Alright, now for weapons. Grab what you can out of here and use it as a weapon. If it stabs, don’t bother; if it bashes or cleaves, then grab it.”

The group looked about the interior of the house. Kitty ripped the posts off the bed frame in Shuya’s bedroom, sending the bed crashing to the floor. Wyle followed suit with another bedpost and knocked the nails flat with his hammer. Moira was still frozen with fear at the idea of facing the undead. Barcrab saw that she hadn’t fond a weapon yet, so he handed her the first one he could find: a fire poker.

“HERE” he said, “YOU NEED THIS.”

She looked up at the Enigman crab-man and rose to her feet, clutching the poker so tightly that her knuckles showed white beneath her skin. The scared seamstress looked around at all the people and said loudly, “Thank you.” The volume of her gratitude made everyone turn to look for a moment. Worry flooded their faces as they heard the fear in her voice, but Cyan broke the mood with a clear voice.

“We are ready.” Cyan looked at Donovan and the ice-mage prepared a spell. The group of survivors got close to each other to keep their area small, and Cyan was close enough to ask Shuya a question.

“Have I ever thanked you for allowing me to stay in your house, Shuya?”

“No,” she said.

“I suppose now’s the time to do so. Thanks.”

“You still owe me rent.”

“I’ll pay you back when we get through this.”

“That’s comforting,” the bartender said as she adjusted her satchel. “I have to go through all the Hells and back to get my money.”

“Money is the least of your problems,” he shot back. Looking out the window, he saw that the ghouls had gathered in front of the door, just as he knew they would. “Donovan, do it!”

The ice-mage set the door to freeze and used his magic to blast the ice outward. Blowing outward in a shower of shards, the ghouls went flying into the street and were frozen by the arctic wind. The path strewn with the pieces of frozen ghoul, the eight survivors charged through the ghouls and headed south to the shadowed manor of Blackheart Estates as Rza shone high overhead against the night sky.

Thursday, July 26, 2012

Cordoba Chronicles IV: Chapter 9


"What do you mean by ‘you don’t know who I am’?”

With an confused stare of green-gray, Inia repeated her answer to Rashad and said, “I have never met you before, sir. Given your aggressive demeanor towards me, I doubt we’d ever get along.”

The girl kneeled over Jollum and stroked his face as Moira held his prone form. Jollum’s injuries and his condition were getting worse with all the stress in the room and he moaned in discomfort.

“What? You don’t think we’d get along? We’ve been on a date—just last night, we were out on the top floor of the construction site and we kissed. Twice!” Taking her by the shoulders, Rashad said, “Don’t you remember anything? Anything at all?”

“Get your hands off me, buddy!” Inia shouted and pushed Rashad off. “First of all, I wouldn’t go to some damn construction site for a date, ‘cuz Auntie said guys are mean and all of them are liars. With that said, I certainly wouldn’t be going out with you, because you’re both a mean person and a liar.”

“I’m tired of people calling me a liar and I’m TIRED of hearing about that damned auntie of yours,” Rashad yelled. “You don’t have a single original thought—”

“Whoa whoa whoa, there.” Kitty stopped him with a powerful paw, saying, “We’re trying to get her to remember who we are, not make her our enemy. Cut her some slack; maybe she’s suffering from the stress of the day.”

“Yes, Kitty,” Donovan interjected, “but we must get her memory back to where it was before we can get what we want.”

“Get what you want?” Inia looked at the ice mage with a wary eye. “What do you mean by that?”

“Never mind that. First, we must get your mind in order. Do you know who I am?”

Inia shrugged. “I don’t know…some guy asking me questions?”

Sighing, Donovan asked, “Do you recall meeting me before?”

“No, I don’t.”

“Alright. So you know, I’m your boss here at the Egress Bar,” the ice mage clarified. “The name’s Donovan.”

“I don’t work here,” Inia spat back. “I’d never work in a filthy little knothole like this. I work for my Auntie’s friend Moira at the Loom House. I have been for three days now.”

“Yes, she has worked for me during the daytime,” Moira piped up as she held the injured Jollum. “And it’s true: she’d never work here because her aunt would never allow it.”

“If she ever knew about it,” Donovan added, brushing off the comment about his bar. “Okay, so you remember your aunt’s friend Moira. Do you remember anyone else here?”

“C’mon kiddo.” Kitty put on a smile and danced a bit, adding a flourish to her finish and said confidently, “You have to remember me.”

Frowning, the tanned teenager replied, “No, I think I’d remember meeting an attention whore in this small town. Especially if she was an Enigman.”

“Oh…” The humbled cat-woman slinked back to her seat next to Wyle, who said, “You remember me?”

“I’ve seen you in town, but I’ve never met you. I’d have no reason to talk to the likes of you.”

“HOW ABOUT ME?” Barcrab asked, expecting the best.

“Heavens no!” Inia wrinkled her nose at the crab-man saying, “You’re ugly as sin and you smell like fish! By the night sky, who do you people think I am?” She looked about the room and surveyed the other nine people as they stared back at the rude young woman who impatiently asked, “Well?”

“We are your friends!” Rashad said harshly. “We are the ones who saved you from a fate worse than death out there. We saved you from your aunt: the woman you hinge your ideas on is the one responsible for what’s going on past that door.”

A look of shock washed over Inia’s face. “My aunt? She’s got something to do with what’s going on outside?” When Rashad nodded in the affirmative, she replied, “Let me guess…she’s an evil magician who’s bent on destroying the world with that peasant army outside, so she can take her revenge on the world of mankind.” A sarcastic smile spread across her bronze face and she asked mockingly, “Am I even close?”

“You’re very close, little girl. One mistake: they aren’t peasants.” Cyan stood and patted Rashad’s shoulder reassuringly. “They are the undead.”

With an angry stare, Inia said, “The undead? You mean as in walking corpses? HA!” She got up from Jollum’s side and said, “The dead can’t walk, because they’re dead. Dead. As for my aunt Blackheart being the cause of all this, I think you all need to stop telling lies about the person who runs this town. She made this town—”

“And she can break it whenever she wants,” Shuya cut in. “I’ve seen her do it before, and she’s doing it again. Only this time, she’s has foot soldiers to do whatever she wants done. Our “benefactor” didn’t have that luxury in Sumptor.

“Sumptor? That town was destroyed! And you say my aunt did that?” Inia stomped her foot and said, “I am not going to sit here and let you people slander my aunt’s good name in Karmor’s Bend. She’s done far too much good in this town: there’s no crime to speak of in this town because the commoners stay in their places!

“And you rabble are trying to upset that balance with lies,” Inia said as she pointed a slender finger at the group in front of her. “I’m going to tell my aunt about you subversives and see that you are punished justly. I’m leaving, and you can’t stop me.” With a swirl of her cloak, the haughty teenager tromped up the stairs to the upper floor of the bar.

The other survivors in the bar looked at each other with worried looks, thinking that their plan was lost to the whims of an impudent young woman. The only exception to the rule was Donovan, who smiled brightly. Shuya looked at him, asking, “What’s so funny?”

“She’s never gonna get past that ice wall I put up.” Donovan laughed and said, “Somebody go get her.”

Wyle stood and went upstairs to find the upper bar empty. “Inia?” he called. Suddenly, he saw a bit of movement pass by the window closest to the frozen barrier. Wyle couldn’t believe his eyes when he saw Inia pass by the frost-edged window. He ran to the window and said, “Inia! Come back!!”

A snarling ghoul replaced the sight of a retreating Inia. Wyle jumped back in shock and made a beeline for the underground bar, yelling, “She got out, man! She’s headed for Blackheart Estates!”

“How the Hells…” was all Donovan could manage at first. “If that little twit broke any of my windows—”

“Ain’t no windows broke, Don. She did something though, and she’s gonna get the Benefactor on us! We’re stuck in this trap!” Wyle ran down to Shuya and Rashad and said, “We’ve gottta get out of here! We gotta move or we’re gonna get killed!!!”

Cyan reached over and slapped Wyle twice, saying, “That’s two out of three statements right: we have to move or we will be killed. But we aren’t trapped.” Turning he said, “Donovan, is there another way out of here?”

“Yeah, the back door. I sealed that with ice.” The ice mage stroked his white goatee. “I can unseal that back door…”

“Ah!” the halfling exclaimed in excitement. “You see where I’m going with this, right?”

“Yeah. I clear us a path and we all escape, leaving Karmor’s Bend behind. But to where…”

“By Toren, we’re not leaving without her!” Rashad looked pointedly at his fellow survivors and said, “Something is wrong with Inia, and I think that Blackheart the Benefactor has something to do with it. I’m not going to leave her to the mercy of that evil woman any longer!”

Cyan looked at the two dark-skinned humans with an equal amount of confusion and said, “The both of you are wrong about my plan.” Looking at Shuya, he explained, “I want Donovan to make a way through the undead creatures out there with his ice magic. We’re gonna go to Shuya’s house and get the rest of her gear, get my gear and then we deal with this necromancer. Are we clear on this?”

“This man’s injured,” Moira said. “He can’t be moved. We must stay here…”

A rattling cough stopped the seamstress and the foreman Jollum spoke. “Don’t worry about me, lass. You’ve got to get out of here, y’hear?”

“B-but if you stay here alone you’ll die, Jollum!” Shuya said. “We’ll take you to my house—”


“I’m already dead inside…” Jollum coughed a glob of phlegm, swirled dark red and yellow-green. It sat in his beard as he said, “That woman on the hill has had me wrapped about her finger…since the days of Sumptor. This damned disease…and my foolish wants of living forever were…were the cause of so much pain and suffering.”

Jollum turned to Shuya and said, “I sold out all of Sumptor for a new life, free of disease and all I had to do…was open the gate. Please forgive me my errors, little one…if you can …” Turning away from a wide-eyed Shuya, the Halfling foreman rasped to Moira, “Hear…she has you too…you must…get free…” The hacking coughs rattled his body and spittle flew from his mouth as Jollum breathed his last.

“No…” Shuya sobbed as she fell to her knees in frustration. “Why, why, why…”

“Ey,” Cyan said. “You can’t cry over this traitor, Shuya. You have to go on.” Wyle picked the bartender off the floor and got her to her feet. “Sumptor and this town were your towns too, human,” Cyan said to Wyle, “and I say it’s high time we paid the foul Blackheart back. Are you with me?”

“Yeah, and Shuya’s in too, even if she can’t say it,” Wyle said.

“I’m in,” Rashad said. “I’ve got a bone to pick with her.”

“ME TOO” Barcrab added.

“I will help you in your mission,” Donovan said. “You’ll need it.”

Cyan turned to Kitty and said, “Kitty? You with us?”

The Enigman cat-woman sat on the edge of the stage, looking at the floor in contemplation. She had been thinking about what Inia said when she heard her name and she said, “Something’s not right with her…wait, what?”

“We’re gonna put a stop to the woman who’s changed your little buddy. You coming with?”

Kitty got up wearily and said, “Yeah, I’m in.”

Moira looked around at the other people, ready to go and asked openly, “What of me, good sir?”

Cyan turned to her and said, “You’ve got no choice but to come with us.” Before Moira could protest, he said, “I heard what the foreman said. ‘She’s got you too’ he said. How’s she got you? We’ll have to find out when you come with us, ‘cuz you’re certainly not going to go out there alone.

“No buts,” Cyan cut in over Moira’s second protest. “We’re leaving now. Donovan, are you ready with your plan?”

“Yes,” Donovan said as he hefted his ice axe onto his shoulder. “Let’s go.”

With a wave of his hand, the back door leading to the back lot of the Egress Bar opened and the group filed up the stairs through it to street level. No ghouls were in the back lot, so Donovan cast his spell. While the eight survivors headed to Shuya’s house under a protective spell, the basement of the Egress Bar filled with a cloying smell of death and decay as Jollum’s rotting body decomposed at a supernaturally fast rate. Moments after Shuya cried over his dead body, all that was left of Jollum the foreman was the fine jacket coated in a muddy mixture of dark bloody phlegm and brown dust.